At this depth the yellow-green undertone is not a color choice so much as a mood: it shows at the edges, in raking light, and nowhere else. Kilz's designation for it is TB-69.
With an LRV this low (9.0), a room relies entirely on its fixtures; the paint gives nothing back. Warm bulbs pull the yellow-green undertone forward, close to the surface; daylight bulbs flatten it back into something closer to plain black.
If the room already has purples in the floor, a rug, or the furniture, this color will fight it rather than sit well beside it - the two sit at opposite ends of the color spectrum, which is exactly why they clash instead of blend.
Warm metals - brass, aged gold, unlacquered fixtures - gain a contrast against this that they do not have against a lighter wall; it is a common reason people choose a color this deep in the first place. A natural scheme here moves in three clear steps: this color on the main wall, a noticeably lighter mid-tone for a second wall or built-in, and a near-white on the ceiling. Each jump should be obvious at a glance, not something you have to squint to tell apart (roughly 9.0, 47 and 85 on the light-reflectance scale, for reference).
It belongs on a feature wall in a room that already has light to spare, rather than on every wall of a room that needs brightening. Sherwin-Williams Mysterious Mauve pairs well as a second surface - close enough in feel to belong in the same room, far enough in lightness to read as two distinct walls (about 28.1 points apart on the reflectance scale).
If the wall has any texture or repair work, matte is worth the trade-off even though it holds up to less scrubbing than a satin or eggshell.
For anyone tied to a different brand, Benjamin Moore Boreal Forest (AF-480) is the nearest stand-in, at a delta-E of 1.15. This is a relatively uncrowded spot in the spectrum - just 2 colors from other brands come this close.
It is lighter than 8 percent of the Kilz range. This is a crowded part of the scale - 442 colors measure within a point of 9.0 - so most brands will have something close. Kilz lists it in the TB codes, alongside 99 other colors.
Kilz American Pine sits between warm and cool: its hue angle is 140° in CIE Lab at a chroma of 11.5, with a yellow-green undertone.
The light reflectance value (LRV) of Kilz American Pine (TB-69) is 9.0, on a scale where 0 is absolute black and 100 is absolute white, which makes it a very dark color.
Measured on the color wheel, Kilz American Pine pairs with Vista Paint Floral Paradise (AC140, complement), Benjamin Moore Enchanted Forest (700, analogous, warmer), Sherwin-Williams Forestwood (SW 7730, analogous, cooler), Sherwin-Williams Mysterious Mauve (SW 6262, soft accent).
Kilz American Pine's hex value is #505E4E, RGB 80, 94, 78.
Kilz American Pine is classified as a black, with a yellow-green undertone.
The nearest Pantone TCX color to Kilz American Pine is 18-0317 TCX Bronze Green, delta-E 4.26; the nearest RAL Classic is RAL 7009 Green grey, delta-E 5.82. Neither is an exact match.
The closest cross-brand match to Kilz American Pine is Benjamin Moore Boreal Forest (AF-480), at a delta-E of 1.15.
| HEX | #505E4E |
| RGB | 80, 94, 78 |
| CMYK | 15%, 0%, 17%, 63% |
| HSL | 113°, 9%, 34% |
| HSV | 113°, 17%, 37% |
| CIE Lab | 38.31, -8.86, 7.39 |
| LCh | 38.31, 11.54, 140.2° |
| XYZ | 8.69, 10.26, 8.73 |
| Pantone (nearest) | 18-0317 TCX Bronze Green · ΔE 4.26 |
| RAL (nearest) | RAL 7009 Green grey · ΔE 5.82 |
| 18-0317 TCX Bronze Green | ΔE 4.26 | |
| 19-0309 TCX Thyme | ΔE 4.77 | |
| 18-6011 TCX Duck Green | ΔE 5.17 | |
| RAL 7009 Green grey | ΔE 5.82 |
Pantone TCX and RAL Classic are physical standards; these are their published sRGB approximations, so check a fan deck before specifying. Pantone® and RAL are trademarks of their respective owners.
Shades mix the color toward black, tints toward white. Click any step to find the paint colors closest to it.